This week, the Los Angeles Orchestra Fellowship announced its four 2020 recipients.
In partnership with the Los Angeles Chamber Orchestra, the Inner-City Youth Orchestra of Los Angeles, and University of Southern California’s Thornton School of Music, each musician will receive teaching and performing opportunities in addition to a Graduate Certificate from the University of Southern California.
The 2020-2023 fellows are:
- Violist Wilfred Farquharson
- Hornist Malik Taylor
- Cellist Myles Yeazell
- Violist Jay Julio Laureta
“Receiving this fellowship fills me with immense joy and honor … however, I also feel a great sense of duty comes with this fellowship … I am my ancestors’ wildest dream come true,” said Wilfred Farquharson.
“I am personally hoping to see every institution call for more diversity in the classical music world and for them to have more diversity, inclusion and equity in their own institutions/organizations,” he said.
“With this great opportunity, I look forward to helping the community and receive the immense training that could help me and the other fellows win a position in a major symphony orchestra,” Malik Taylor said.
“I would love to see more Orchestra concerts and music camps happening in low-income neighborhoods … Many of the young musicians growing up in the inner-city neighborhoods do not have the funds to pursue a career in music. We can make a change.”
“While one of the main goals of the fellowship may be to provide the resources and training necessary for the fellows to audition and ultimately win a job as a professional musician, I can tell from these first few weeks that this will have an everlasting effect on my life and career, and I am extremely grateful and proud to say I am a member of the LA Orchestra Fellowship,” said Myles Yeazell.
“Classical music is usually portrayed as something for older generations or for richer families, but I think that, with the right affordable music education opportunities, classical music may see a steady increase in diversity as kids are exposed to the wonders of learning music and various instruments. It is up to us to spread the word!”
“Filipino people are the second-largest Asian population in the US and I can count on one hand the amount of Filipino musicians I know in professional orchestras. As the child of a nurse’s assistant, it is both a privilege and a duty to represent Filipinos as artists after centuries of struggle and oppression and, more personally, in solidarity with other Black and brown people who I join in the history of this fellowship,” said Jay Julio Laureta.
“To be frank, if we intend the field of classical music to be as equitable as we claim, we need equal access to high-quality education, instruments, and teachers from the earliest days in a child’s life. Until such a time comes, we all must pitch in — audience members and musicians who have resources, donating time to tutor students who cannot afford lessons, actively reaching out to public school programs to fund music programs cut by austerity budgets, and donating both to large organizations that do justice-minded work and to individual musicians-in-training who need an extra push of financial support to make it to the next level.”