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VC ARTIST

Violin Simone Porter

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Born On September 10, 1996
United States
Born in United States
United States
United States
instrument
Violin 1740 Carlo Bergonzi Violin on loan from the Master's University, CA
Bow Nicolas Rémy Maire
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Education
Colburn Conservatory of Music
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Teachers
Margaret Pressley | Robert Lipsett
awards
Notable awards/competitions won
Avery Fisher Career Grant

VC Artist and Violinist Simone Porter has been recognized as an emerging artist of impassioned energy, interpretive integrity, and vibrant communication. She has debuted with the New York Philharmonic, the Philadelphia Orchestra, the Los Angeles Philharmonic, the Seattle and Pittsburgh Symphonies, and with a number of renowned conductors, including Stéphane Denève, Gustavo Dudamel, Yannick Nézet-Séguin, Nicholas McGegan, Ludovic Morlot, Donald Runnicles, David Robertson, Esa-Pekka Salonen, Manfred Honeck, Louis Langrée and David Danzmayr. Simone made her professional solo debut at age 10 with the Seattle Symphony and her international debut with the Royal Philharmonic Orchestra in London at age 13. In March 2015, Simone was named a recipient of an Avery Fisher Career Grant.

Simone’s recent seasons include extensive US touring with debuts and return visits to orchestras such as Colorado, North Carolina, St. Louis, Oregon, Hawaii, Grand Rapids, Omaha, Quebec, Jacksonville Symphonies, Erie Philharmonic, Florida Orchestra, and many more. In the 2024/25 season, Simone will return to Nashville and Baltimore symphonies, as well as Santa Rosa, Monterey, and Westchester symphonies, with a debut with Arkansas Symphony and a visit to Johnson City Symphony in TN. Simone will be an artist in residence with the Oregon Symphony starting in the 25/26 season, with her first appearance being a performance of Philip Glass Concerto No. 1 with David Danzmayr.

In February 2024, Simone released her debut album ad tendo, which was inspired by the ideas of philosopher Simone Weil and featured all solo violin repertoire including the premiere recording of Reena Esmail’s Drishti.

Internationally, Simone has performed with the Simón Bolívar Symphony Orchestra with Gustavo Dudamel; the Orquestra Sinfônica Brasileira in Rio de Janeiro; the National Symphony Orchestra of Costa Rica; the City Chamber Orchestra of Hong Kong; the Royal Northern Sinfonia; the Milton Keynes City Orchestra in the United Kingdom; Orquesta Clasica Santa Cecilia de la Fundacion Excelentia in Madrid; the Opera de Marseille and at the Edinburgh Festival performing Barber under the direction of Stéphane Denève.

Recent recital highlights include a tour in Spain with pianist Pallavi Mahidhara and debuts at Celebrity Series in Boston and NY92, both of which featured the newly commissioned piece by composer Reena Esmail. Simone will return to FL for a recital in January of 2025, and debut at the Isabella Stewart Gardner Museum in Boston in March 2025. A devoted chamber musician, Simone has projects with Bay Chamber Music, Moab Music Festival, and Charlottesville Chamber Music Festival. Together with her colleagues violinist Blake Pouliot and pianist Hsin-I Huang, Simone will present a program at Cliburn Foundation in Fort Worth, TX, and Broad Stage in Santa Monica, CA in the Spring of 2025.

At the invitation of Esa-Pekka Salonen, Simone performed his work ‘Lachen verlernt’ (‘Laughing Unlearnt’), at the New York Philharmonic’s “Foreign Bodies,” a multi-sensory celebration of the work of the composer and conductor. Simone made her Carnegie Zankel Hall debut on the Emmy Award-winning TV show From the Top: Live from Carnegie Hall followed in November 2016 by her debut in Stern Auditorium. In June 2016, her featured performance of music from Schindler’s List with Maestro Gustavo Dudamel and members of the American Youth Symphony was broadcast nationally on the TNT Network as part of the American Film Institute’s Lifetime Achievement Award: A Tribute to John Williams.

Raised in Seattle, Washington, Simone studied with Margaret Pressley as a recipient of the Dorothy Richard Starling Scholarship and was then admitted into the studio of Robert Lipsett, with whom she studied at the Colburn Conservatory of Music in Los Angeles. Summer studies have included many years at the Aspen Music Festival, Indiana University’s Summer String Academy, and the Schlern International Music Festival in Italy.

Simone Porter performs on a 1740 Carlo Bergonzi violin made in Cremona Italy on a generous loan from The Master’s University, Santa Clarita, California.

Simone Porter
What are your hobbies outside of music?
Reading and baking are great loves of mine, as well as going to the movies as much as possible! When I'm at home in New York, my friends and I do an immoderate amount of karaoke. I also love a good boogie, leaving it all on the dance floor. 
If you were not a musician, what profession do you feel you’d be doing now?
I think I would have loved being a book critic.
What would your dream gig be?
It's the who and what more than the where. I love learning repertoire that feels totally beyond my capacity at first, like reading code, and delving it enough to find and tease out a recognizable emotional vocabulary, a good story. When I get to present that with people I adore and respect, in venues that enhance the thematic and acoustic resonances, that's the dream!
What is a song that makes you turn the radio up? 
Lately, Doechii, Casiopea, and relistening to Perfume Genius' entire output ahead of his upcoming album. Also, Sabine Devieilhe's Bach and Handel album. 
What would you say makes you unique as a musician?
I feel like I'm offering the best of myself when I get to beckon others into a question that I find fascinating and am actively pursuing onstage. I like finding and kindling connections- between seemingly disparate repertoire, between music and literature, and sharing the conversations that occur when they're put together. The projects I have done that feel the most personal, or that I'm the most proud of, feel very open ended, akin to reccing a book or showing someone a piece of media you really care about- it's just the start of the interaction.
Do you keep all 3 meals phone-free? No social media scrolling.
Nope. I adore my phone's do not disturb function and have set times away from my screen, but I absolutely indulge in the snarf + scroll. 
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